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Shaun Gunner of The Tolkien Society called the book "an unofficial 13th volume of The History of Middle-earth series". [6]Douglas C. Kane, in the Journal of Tolkien Research, wrote, with reference to Tolkien's phrases in On Fairy-Stories [7] on how to make a "Secondary World", that the book certainly "helps to demonstrate just how much 'labour and thought', 'special skill', and 'a kind of ...
Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.
The History of Middle-earth is a 12-volume series of books published between 1983 and 1996 by George Allen & Unwin in the UK and by Houghton Mifflin in the US. They collect and analyse much of J. R. R. Tolkien's legendarium, compiled and edited by his son Christopher Tolkien.
[25] [26] Flieger further writes that some of the dreams in The Lord of the Rings "are so intertangled that we find ourselves participating in a kind of waking dream or a dream-memory without knowing which is which, when or how we got there." She gives as the prime example the episode in Lothlórien, which she notes Tolkien hints is "outside ...
Aman and Middle-earth were separated from each other by the Great Sea Belegaer, analogous to the Atlantic Ocean. The western continent, Aman, was the home of the Valar, and the Elves called the Eldar. [T 1] [1] Initially, the western part of Middle-earth was the subcontinent Beleriand; it was engulfed by the ocean at the end of the First Age. [1]
His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
J. R. R. Tolkien came to feel that the flat earth cosmology he embodied in his legendarium would be unacceptable to a modern readership. In The Silmarillion, Earth was created flat and was changed to round as a cataclysmic event during the Second Age in order to prevent direct access by Men to Valinor, home of the immortals. [1]