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Bétaille was a luxury umbrella manufacturer in Paris. The boutique was located at rue Royale 5 from 1880 to 1939. The goodwill and stock of the firm were bought out by Thomas Brigg & Sons in 1919. [1] Their products included wedding baskets, presents, walking sticks and riding whips.
Pierre had moved to Rio de Janeiro a few years prior and was already in the business of importing other French branded parasols and umbrellas into Brazil. In March 1850, Pierre was joined by his two brothers Henri, 19 years old, and Joseph, 32 years old, who sailed on the "Goelette La Fanny" for Rio de Janeiro. [1]
Parts of an umbrella [2]. The word parasol is a combination of the Latin parare, and sol, meaning 'sun'. [3] Parapluie (French) similarly consists of para combined with pluie, which means 'rain' (which in turn derives from pluvia, the Latin word for rain); the usage of this word was prevalent in the nineteenth century.
In 1919, the firm bought the goodwill and stock of the French parasol makers Bétaille on the rue Royale, Paris. In his memoirs the cubist painter Amédée Ozenfant told of his proud but short-lived ownership of a Brigg umbrella, for which he had paid the astonishing price of 35 francs as a young man, only to lose it the next day in the métro. [9]
A gentleman's 1778 version of the lightning hat involved an umbrella with a tip extended into a pointed rod. [11] A metal chain ran from the rod over the exterior of the open umbrella and down onto the ground, thus providing a conduit for the lightning to follow. [10] In French, the lightning umbrella was called le parapluie-paratonnerre. [10]
"The Umbrellas of Cherbourg," one of the most highly acclaimed movie musicals ever, will kick off a Ragtag Cinema series of French films.
The French-language film was a co-production between France and West Germany. [4] The Umbrellas of Cherbourg won the Palme d'Or at the 1964 Cannes Film Festival. In the United States, it was nominated for five Academy Awards, including Best Foreign-Language Film, Best Original Screenplay (Demy), and Best Original Score (Demy and Legrand).
Méliès plays the magician in the film, the special effects for which were achieved using substitution splices and dissolves. [1]The film is strongly influenced by the Pygmalion myth, as is suggested by the inscription "Galathea Théâtre" on the set and various classical motifs, including Grecian costumes, classical musical instruments such as the auloi and the lyre, and a backdrop showing a ...