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Roland is getting married and is currently missing. Slim, who scoffs at the idea of marriage, is furious at Roland for disappearing. The story flashes back to Mike as a youth when he first encounters Roland and Slim, his first real crush on a girl named Alicia, and the three young men's misadventures as teenagers growing up in 1980s Inglewood, California (aka "the Wood").
The Woods is a 2006 American supernatural horror film directed by Lucky McKee and starring Agnes Bruckner, Patricia Clarkson, Rachel Nichols, Lauren Birkell and Bruce Campbell. Set in 1965, its plot concerns a wayward teenage girl who is sent to a New England all-girls private high school which holds an ominous secret related to the staff ...
After a few nights, they become concerned when they discover a toddler on his own in the woods. Meanwhile, elsewhere, German tells his associate Todd “Chook” Fowler about Ian and Sam, and the two begin to make plans. Chook finds Ian and Sam with the baby stuck at the campsite parking lot with a flat tire.
Music from and Inspired by the Motion Picture The Wood is the soundtrack Rick Famuyiwa's 1999 film The Wood. It was released on July 13, ...
The police helicopter has infrared detectors, but Kowalski evades being seen by hiding the car under a large piece of tin. He awakens from a nightmare about his wife at 7:19 a.m., finds a phone booth, and calls the hospital, speaking to the same doctor as previously. Kowalski then drives down the road to where the film began.
New evidence reopened the case of actress Natalie Wood’s 1981 drowning death, pointing to her husband, actor Robert Wagner, as a prime suspect. Two witnesses came forward, claiming Wood was ...
Walken was one of the three people on Wood and Wagner’s boat, the Splendour, when she was found dead, floating in the water off California’s Catalina Island, on Nov. 29, 1981. The third person ...
[12] Don't Go in the Woods was also lambasted by DVD Verdict, which stated "Aside from one nasty bit with a bear trap and a sequence toward the end that faintly—and accidentally, believe me—recalls The Texas Chain Saw Massacre in its slow, dread-saturated buildup, director James Bryan's splatter film is an incoherent mess. An endless parade ...