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Numberblocks is a British animated television series for preschoolers that debuted on ... as she sings a song about how it's like to be the only one. ... 50: 20 "The ...
In 1912, Ruth Herbert Lewis made a wax cylinder recording of a Welshman named Benjamin Davies singing a song, "Can y Coach faier", which uses the old melody now associated with "Deck the Halls". The recording can be heard on the British Library Sound Archive website.
In 2018, comedian and actor Rob Delaney read and signed Ten in the Bed in Makaton, a particular form of sign language. [4] Broadcast on the BBC children’s channel CBeebies, it was the first of their regular bedtime stories series to use the language, which Delaney had learnt to communicate with his late son. [5]
Anthropomorphic numbers from 1 to 20 (including 5 wearing a top hat) in consecutive order, then 30 to 90 by tens (including 70 with long hair), and finally 99, climb up an apple tree.
"50/50" was Nakayama's second collaboration with composer Komuro, after "Jingi Aishite Moraimasu". The lyrics were by Taguchi, who wrote three of Yoko Minamino's No. 1 hits. The song was arranged with Caribbean elements; most notably the use of steelpans. [1] "50/50" peaked at No. 2 on Oricon's weekly singles chart and sold over 211,000 copies ...
For the first time, cancer rates in women ages 50 to 64 have surpassed those in men, the report found. Women under age 50 also had an 82% higher cancer rate in 2021 than men the same age, compared ...
The song was described by Billy Corgan as "a simple song in a country tuning", and was the first song that he wrote after the Siamese Dream tour. The guitars in the song are tuned to EGBGBE half a step down, and the drum machine track is exactly the same track Corgan recorded when he laid down the demo version of the song, because he was unable to recreate it.
"Crackerbox Palace" was inspired by Harrison meeting the former manager of comedian Lord Buckley at Midem in January 1976. [24] Written in March, [7] "This Song" was Harrison's sardonic send-up of the "My Sweet Lord"/"He's So Fine" court case [25] and reflected his experience in the courtroom as musicologists for both sides argued their respective cases. [26]