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Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The sisiutl is a legendary creature found in many cultures of the Indigenous peoples of the Pacific Northwest Coast, notably the Kwakwakaʼwakw. [1] Typically, it is depicted as a double-headed sea serpent. Sometimes, the symbol features an additional central face of a supernatural being.
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
^ Drew, Leslie and Douglas Wilson. 1980 Argillite, Art of the Haida. Hancock House, North Vancouver. ^ Getty, Ronald, M. and Knut R. Fladmark. (editors) 1973 Historical Archaeology in Northwestern North America. Archaeological Association, Calgary. ^ Gunther, Erna. 1966 Art in the Life of the Northwest Coast Indians. Portland Art Museum, Portland.