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A well-known Sanskrit verse ("Upamā Kālidāsasya...") praises his skill at upamā, or similes. Anandavardhana, a highly revered critic, considered Kālidāsa to be one of the greatest Sanskrit poets. Of the hundreds of pre-modern Sanskrit commentaries on Kālidāsa's works, only a fraction have been contemporarily published.
A poem of 120 [3] stanzas, it is one of Kālidāsa's most famous works.The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. [4]
The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. [6] The play depicts Kalidasa as a court poet of Chandragupta who faces a trial on the insistence of a priest and some other moralists of his time. [7] [8]
Raghuvaṃśa (Devanagari: रघुवंशम्, lit. 'lineage of Raghu') is a Sanskrit epic poem by the celebrated Sanskrit poet Kalidasa.Though an exact date of composition is unknown, the poet is presumed to have flourished in the 5th century CE. [1]
The classical theory of Sanskrit drama, known as Natyaśāstra makes it a rule that the plot of a Sanskrit drama 'must be famous'. Accordingly, authors of Sanskrit plays use the stories from Purāṇas, Vedic texts and classic epics, namely Mahābhārata and Rāmāyaṇa for developing plays. However, the core objective of a drama is entertainment.
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. He is known as "Poet of Karun Rasa" for his work named as Uttararamacarita. Bhavabhuti was born in Padmapura, tah. Aamgaon, at Gondia district,in ...
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Bhāsa had previously only been known from mentions in other works, such as the Rajashekhara's Kāvya-mimāmsā, which attributes the play Swapnavāsavadattam to him. In the introduction to his first play Mālavikāgnimitram , Kālidāsa wrote: "Shall we neglect the works of such illustrious authors as Bhāsa, Saūmilla, and Kaviputra?