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"Silent Night" (German: "Stille Nacht, heilige Nacht") is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in Oberndorf bei Salzburg, Austria. [1] It was declared an intangible cultural heritage by UNESCO in 2011. [ 2 ]
"7 O'Clock News/Silent Night" is a sound collage consisting of the duo singing "Silent Night" in two-part harmony over an arpeggiated piano part while a news report plays. "The result rather bluntly makes an ironic commentary on various social ills by juxtaposing them with tenderly expressed Christmas sentiments."
David Grisman – mandolin, mandola; Darol Anger – fiddle, cello, Violectra; Béla Fleck – banjo, 5-string banjo; Mike Marshall – guitar, mandolin, mandola ...
Two of the project's tracks were composed by Pride himself: "Santa and the Kids" and "Happy Christmas Day." Other original tracks featured were the title track, composed by Lassaye Van Buren Holmes and "The First Christmas Morn." Holiday covers included "Silent Night," "Little Drummer Boy" and "O Holy Night." [1]
"7 O'Clock News/Silent Night" is a song by American music duo Simon & Garfunkel from their third studio album, Parsley, Sage, Rosemary and Thyme (1966). The track is a sound collage juxtaposing a rendition of the Christmas carol " Silent Night " with a simulated " 7 O'Clock News " bulletin consisting of actual events from the summer of 1966.
Silent Night is an opera by composer Kevin Puts and librettist Mark Campbell. As Silent Night: Opera in Two Acts the work had its world premiere at the Ordway Theater , Saint Paul, Minnesota, on November 12, 2011 under the directorship and dramaturgy of Eric Simonson .
Silent Night: A Christmas in Rome is a 1998 Christmas live album by Paddy Moloney and The Chieftains. [1] Almost each track features a different female/male guest artist or a group/choir. Artists featured on this album are Maire Brennan , Montserrat Caballe , Sissel Kyrkjebø , Zucchero and Carlos Nunez .
Many of the earliest parlour songs were transcriptions for voice and keyboard of other music. Thomas Moore's Irish Melodies, for instance, were traditional (or "folk") tunes supplied with new lyrics by Moore, and many arias from Italian operas, particularly those of Bellini and Donizetti, became parlour songs, with texts either translated or replaced by new lyrics.