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A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
[6] [10] The artwork comprises 31 clouds, with 22 on the ceiling, five on the right side wall and four on the left side wall. [9] [11] [12] The largest of these has a surface area of 80 m 2 (860 sq ft) and a weight of approximately 2.3 tonnes (2.5 short tons). [9] Ladders exist in the ceiling space, allowing people to climb through the clouds. [7]
Images called "skyscapes" often do include clouds or land, but these things can also be excluded or kept to a minimum. The view may be from Earth or from a level far above. There is often nothing to suggest scale in the art, unless a bit of landscape is included or some phenomena such as the depiction of clouds, precipitation, rainbows and aurorae.
The aerial cloudscapes painted by Georgia O'Keeffe in the 1960s and 1970s are a special case. Many of them are not landscapes at all, since they don't show any land. They depict images of clouds viewed from above, suspended in blue sky, with the land below nowhere to be seen; it is the view of clouds regarded at a downward and sideways angle, as from the window of an airplane.
In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931). According to an essay on the series at the Phillips Collection website, "A symbolist aesthetic underlies these images, which became increasingly abstract equivalents of his own ...
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