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The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found.
The famous Narmer Palette, discovered by James E. Quibell in the 1897–1898 season at Hierakonpolis, [35] shows Narmer wearing the crown of Upper Egypt on one side of the palette, and the crown of Lower Egypt on the other side, giving rise to the theory that Narmer unified the two lands. [36]
The palettes later adopted a rounder shape like the Narmer Palette. [13] King Narmer's palette was the earliest piece of its kind. It has decorations of the King smiting the enemies of Egypt and the unification of Upper and Lower Egypt, as well as a cavity for the grinding of cosmetics, making it a double purposed palette.
The "Four dogs Palette", Room 633 of the Louvre. Cosmetic palettes are archaeological artifacts , originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics . The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial.
Information about this dynasty is derived from a few monuments and other objects bearing royal names, the most important being the Narmer Palette and Narmer Macehead, as well as Den and Qa'a king lists. [5] [6] [7] No detailed records of the first two dynasties have survived, except for the terse lists on the Palermo Stone.
The Narmer Palette, thought to mark the unification of Upper and Lower Egypt; note the images of the goddess Bat at the top, as well as the serpopards that form the central intertwined image. Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. [2]
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Indeed, Narmer's fame rests on being the Upper Egyptian pharaoh to defeat the last Lower Egyptian pharaoh. However, rather than recording this historical event the palette may simply depict an allegory for Narmer's excellence and right of command, with the figure of Wash having been recruited to the task.