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Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo.The statue is somewhat over life-size and represents Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.
Michelangelo's Bacchus was a commission with a specified subject, the youthful God of Wine. The sculpture has all the traditional attributes, a vine wreath, a cup of wine and a fawn, but Michelangelo ingested an air of reality into the subject, depicting him with bleary eyes, a swollen bladder and a stance that suggests he is unsteady on his ...
Bacchus (c. 1596) is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Del Monte. The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe. On a stone table in front of him is ...
The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid. It is popularly known as Los borrachos or The Drinkers (also The Drunks). Velázquez painted The Triumph of Bacchus after arriving in Madrid from Seville and just before his voyage to Italy.
Charles Dance is set to play Italian artist Michaelangelo in new BBC docu-drama “Renaissance: The Blood and The Beauty.” Dance’s casting in the three-part series came as the BBC unveiled its ...
The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
The nocturnal version of the Bacchanalia involved wine-drinking to excess drunkenness and the free mingling of the sexes and classes; the rites also involved loud music. [7] [2] According to Livy's account, Publius Aebutius of the gens Aebutia was warned against the cult and its excesses by a courtesan, Hispala Faecenia.
Work on the sculpture stopped shortly after Alessandro de' Medici was made duke and Michelangelo left the city. The sculpture then entered the collection of Duke Cosimo I. It was placed in his private quarters along with a "Bacchus" of Baccio Bandinelli, a work of Andrea Sansovino, and an old "Ganymede" that had been restored by Benvenuto Cellini.