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Trumpet mouthpiece from the side. The mouthpiece on brass instruments is the part of the instrument placed on the player's lips.The mouthpiece is a circular opening that is enclosed by a rim and that leads to the instrument via a semi-spherical or conical cavity called the cup.
Robert Giardinelli (January 23, 1914, in Catania, Italy – October 1, 1996, in New York City, New York [1]) was a renowned musical instrument craftsman who operated a repair shop in New York City. After immigrating to the United States, Giardinelli served in the United States Army during World War II.
The B♭ soprano trombone is built with dimensions similar to the B♭ trumpet. The bore size is between 0.450 and 0.470 inches (11.4 and 11.9 mm), and the bell is 5 to 6 inches (130 to 150 mm) in diameter. It usually takes a trumpet mouthpiece, although some instruments are made with a smaller shank to take a cornet mouthpiece. [2]
It uses a slight rolling in of both lips and touching evenly all the way across. It also uses mouthpiece placement of about 40–50% top lip and 50–60% lower lip. The teeth will be about 1 ⁄ 4 to 1 ⁄ 2 inch (6 to 13 mm) apart and the teeth are parallel or the jaw slightly forward. There is relative mouthpiece pressure to the given air column.
The flugelhorn's mouthpiece is more deeply conical than either trumpet or cornet mouthpieces, but not as conical as a French horn mouthpiece. Some modern flugelhorns feature a fourth valve that lowers the pitch by a perfect fourth (similar to the fourth valve on some euphoniums , tubas , and piccolo trumpets , or the trigger on trombones ).
Single reeds are used on the mouthpieces of clarinets and saxophones. The back of the reed is flat and is placed against the mouthpiece. These reeds are roughly rectangular in shape and taper towards the thin tip, which is rounded to match the curve of the mouthpiece tip.
With this rich background and his talent as an accomplished machinist, Mr. Callet was able to release his first line of trumpet mouthpieces in 1973, and his first trumpet under his own brand name in 1984. [2] [3] In 1973, he also developed a line of mouthpieces to complement his embouchure theories. In the meantime, he taught embouchure ...
Cross-section of the mouthpiece of a recorder, indicating a block (A), duct (B), and edge (C) The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C).