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The term is called Weihnachtskantate in German, and Cantate de Noël in French. Christmas cantatas have been written on texts in several other languages, such as Czech, Italian, Romanian, and Spanish. Christmas cantata can also mean the performance of the music. Many choirs have a tradition of an annual Christmas cantata.
Most cantatas made reference to the content of the readings and to Lutheran hymns appropriate for the occasion. The melodies of such hymns often appeared in cantatas, for example as in the four-part settings concluding Bach's works, or as a cantus firmus in larger choral movements. Other occasions for church cantatas include weddings and ...
[26] [27] In the second half of the 1720s Bach often collaborated with Picander as a librettist for his cantatas. The Shepherd Cantata, BWV 249a, first performed on 23 February 1725, one of Bach's secular cantatas, is an early example of such cantata. [28] Bach reused the music of this cantata in the 1725 first version of his Easter Oratorio. [29]
The Oratorio de Noël, Op. 12, by Camille Saint-Saëns, also known as his Christmas Oratorio, is a cantata-like work scored for soloists, chorus, organ, strings and harp. While an organist at La Madeleine, Saint-Saëns wrote the Christmas oratorio in less than a fortnight, completing it ten days before its premiere on Christmas 1858. [1]
A Christmas Cantata (French: Une cantate de Noël; German: Eine Weihnachtskantate) is a Christmas cantata composed by Arthur Honegger in 1953; it is reportedly his last composition. It requires a mixed choir, a baritone soloist, an organ, an orchestra and a children's choir, and it describes the Christmas story. The cantata is divided into ...
The song was first recorded by the Venezuelan folk singer Simón Díaz, included on his record, Las Gaitas de Simon where he was accompanied by the Venezuelan Children's Choir. Later, the children's musical group La Rondallita recorded the song in November 1972. This latest version gained popularity in Latin America. [1]
"Granada" is a song written in 1932 by Mexican composer Agustín Lara. The song is about the Spanish city of Granada and has become a standard in music repertoire.. The most popular versions are the original with Spanish lyrics by Lara (often sung operatically); a version with English lyrics by Australian lyricist Dorothy Dodd; and instrumental versions in jazz, pop, easy listening, flamenco ...
The cantata ends with a chorale, stanza 10 of Paul Gerhardt's hymn " Ich hab in Gottes Herz und Sinn". Bach festively scored the seven-movement cantata, for two vocal soloists (tenor and bass), a four-part choir and a Baroque instrumental ensemble of two horns, two recorders, two oboes da caccia, strings and basso continuo. All recitatives are ...