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The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (French: Cathédrale Notre-Dame de Chartres), is a Catholic cathedral in Chartres, France, about 80 km (50 miles) southwest of Paris, and is the seat of the Bishop of Chartres.
The fronts of the north and south transepts are High Gothic, as is the sculpture of the six thirteenth-century portals. The spire on the north tower is later Flamboyant. [15] Chartres still has much of its original medieval stained glass, famous for the deep color called Chartres blue. [15] Chartres Cathedral
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
It is common that although the transepts of French churches do not project strongly, they are given visual importance almost equal to the west front, including large decorated portals and a rose window. Particularly fine examples are at Notre-Dame and Chartres Cathedral. [9]
The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...
The Romanesque crypt of Chartres Cathedral was greatly enlarged in the 11th century; it is U-shaped and 230 m (750 ft) long. It survived the fire in the 12th century which destroyed the Romanesque cathedral, and was used as the foundation for the new Gothic cathedral. The walls of the crypt chapels were painted with Gothic murals.
The columns between the spans hold statues, around 1.6m tall, all by Thomas Boudin, showing God the Father, Fulbert and other unidentified bishops of Chartres. [5] There are also another 84 smaller statues at various levels, between 35 cm and 60 cm tall - the original plan seemed to be to show figures from society and envisaged 136 of these ...