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The Rovers is a 1980 album by the music group The Irish Rovers. It was their first album after they rebranded themselves as The Rovers , dropping "Irish" from the group name. The lively single, "Wasn't That a Party", peaked at #37 in Billboard , #40 in Record World , and #37 in Cash Box .
In 1966, the Rovers signed a recording contract with Decca Records with Charles Dant and recorded their first album, The First of the Irish Rovers, at The Ice House in Pasadena. The album was successful enough to warrant another album, which included their first hit, which was from a song originally written and recorded in 1962 by Shel ...
Emigrate! is a 1975 album by the music group The Irish Rovers. The album cover was nominated for a Juno Award. Track listing. Side 1: "The Passing of the Gale"
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks… in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
The Rovers may refer to: The Irish Rovers, Canadian-Irish folk group created in 1963 that renamed itself The Rovers for part of the 1980s; The Rovers, 1980 album by the above group; The Rovers, Australian television series; Rovers, British television series; Blackburn Rovers F.C., English Premier League football (soccer) club
Covid cut short the 2020 release of "Saints And Sinners" album which George wrote and featured "The Banshee's Cry" and "Band Without A Country", both released with videos. During those Covid years, Millar wrote a new album, "No End In Sight" for the Rovers, which included the song, "Hey Boys Sing Us A Song". The song was written in response to ...
The Unicorn is the debut studio album of the Canadian Irish folk music group The Irish Rovers, released in 1967 and topped the charts in 1968.. The title track "The Unicorn", a recording of Shel Silverstein's poem based on Noah's Ark, featured Glen Campbell on lead guitar, [1] and reached #2 in the US Adult Contemporary Charts, #7 in the U.S. Hot 100, [2] #4 in Canada, [3] and #5 in Ireland.
The Allmusic review by Bruce Eder awarded the album 3.5 stars, stating "Although it doesn't have anything as universally popular as 'The Unicorn' to pull people in, the Irish Rovers' third album is a most genial and accessible record, filled with low-key playing and singing, alternating with bursts of exuberance in the singing and playing.