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The Vestal Virgin Tuccia (Italian: La Vestale Tuccia) or Veiled Woman (Italian: La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath.
The Veiled Nun is a 20.75 in (52.7 cm) tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, The Veiled Nun, was already in use in 1874 when the work was first displayed in public, [3] she is not a nun, but rather a woman of means or an allegorical figure.
The veil gives the appearance of being translucent, but is carved of marble. The technique is similar to Giuseppe Sanmartino 's 1753 statue Veiled Christ in the Cappella Sansevero in Naples . The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock : "Received safely from Rome, a ...
For centuries, European women have worn sheer veils, but only under certain circumstances. Sometimes a veil of this type was draped over and pinned to the bonnet or hat of a woman in mourning, especially at the funeral and during the subsequent period of "high mourning".
Christian head covering, also known as Christian veiling, is the traditional practice of women covering their head in a variety of Christian denominations.Some Christian women wear the head covering in public worship and during private prayer at home, [1] [2] [3] while others (esp. Conservative Anabaptists) believe women should wear head coverings at all times. [4]
The way her classical drapery falls on her body also shows this movement. The artists of eighteenth-century Italy were especially interested in the depiction of movement as Corradini was. Her face is turned away from the viewer, shielding her eyes with the transparent veil. The veil seems heavy but also see-through.
Side angle shot of a blond mantilla. A mantilla is a traditional female liturgical lace or silk veil or shawl worn over the head and shoulders, often over a high hair ornament called a peineta, particularly popular with women in Spain and Latin America. [1]
The fringed veil drapes over her face, head and shoulder, and dangled unevenly above her feet. Her translucent attire further highlights the contour of her body. The illusion of a diaphanous veil and clinging dress created by the craftsmanship of Benzoni are the most noteworthy and skillful aspects of the sculpture.