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The Kwik Kwak (also called as crick crack) structure involves three elements: the narrator, the protagonist, and the audience. [1] The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2]
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
A short story cycle (sometimes referred to as a story sequence or composite novel) [1] is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts. [2]
Short story - A work of at least 2,000 words but under 7,500 words (between about 10 and 40 pages). Novella - A work of at least 17,500 words but under 50,000 words (90-170 pages). [6] The boundary between a long short story and a novella is vague. [7] Novel - A work of 50,000 words or more (about 170+ pages). Epic - A long poem.
The creation and study of the short story as a medium began to emerge as an academic discipline due to Blanche Colton Williams' "groundbreaking work on structure and analysis of the short story" [25]: 128 and her publication of A Handbook on Short Story Writing (1917), described as "the first practical aid to growing young writers that was put ...
Philosophers/critics who have discussed story structure include Aristotle, Horace, Aelius Donatus, Gustav Freytag, Kenneth Thorpe Rowe, Lajos Egri, Syd Field, and others. Some story structures are so old that the originator cannot be found, such as Ta'zieh. Often in order to sell a script, the plot structure is made into what is called a treatment.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller 's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions.