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Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another. It is a loanword from German.
Beware of Pity (German: Ungeduld des Herzens, literally The Heart's Impatience) is a 1939 novel by the Austrian writer Stefan Zweig. It was Zweig's longest work of fiction. It was adapted into a 1946 film of the same title, directed by Maurice Elvey. [1]
Master–slave morality (German: Herren- und Sklavenmoral) is a central theme of Friedrich Nietzsche's works, particularly in the first essay of his book On the Genealogy of Morality. Nietzsche argues that there are two fundamental types of morality : "master morality" and "slave morality", which correspond, respectively, to the dichotomies of ...
The speech is also found in a footnote to notes about a speech that Hitler held in Obersalzberg on 22 August 1939 and was published in the German foreign policy documents [7] [12] When later asked at Nuremberg who his source was, Lochner said it was a German named "Herr Maasz" but gave vague information about him. [13]
Some German words are used in English narrative to identify that the subject expressed is in German, e.g., Frau, Reich. As languages, English and German descend from the common ancestor language West Germanic and further back to Proto-Germanic; because of this, some English words are essentially identical to their German lexical counterparts ...
The "appeal to pity", as it is classified in Rhetorica ad Herennium, is a means to conclude by reiterating the major premise of the work and tying while incorporating an emotional sentiment. The author suggests ways in which to appeal to the pity of the audience: "We shall stir pity in our hearers by recalling vicissitudes of future; by ...
Psychologists see pity arising in early childhood out of the infant's ability to identify with others. [3]Psychoanalysis sees a more convoluted route to (at least some forms of) adult pity by way of the sublimation of aggression—pity serving as a kind of magic gesture intended to show how leniently one should oneself be treated by one's own conscience.
Lucky Kids (German: Glückskinder) is a 1936 German romantic comedy film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch, and Paul Kemp. [1] It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Erich Kettelhut.