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"2055" is a song by American rapper Sleepy Hallow, released on April 14, 2021 as the second single from his debut studio album Still Sleep? (2021). [ 1 ] [ 2 ] Produced by Great John and UV Killin Em, it is his highest-charting song, peaking at number 51 on the Billboard Hot 100 .
Tegan Joshua Anthony Chambers (born December 20, 1999), known professionally as Sleepy Hallow, [2] is a Jamaican-American rapper who specializes in Brooklyn drill. [3] Born in Jamaica, Chambers was raised in the Flatbush section of Brooklyn, New York City alongside frequent collaborator Sheff G.
In a 2013 interview, Robert Lamm said he composed "25 or 6 to 4" on a 12-string guitar with only 10 strings. According to Lamm, "It didn't have the two low Es." He wrote the lyrics in one day. The band first rehearsed the song at the Whisky a Go Go. [2] Lamm said the song is about trying to write a song in the middle of the night.
The band were criticised in Number One magazine as banal and "out of their depth", [5] [page needed] and the lyrics were in 2007 voted 9th in a readers poll held by BBC 6 Music on the "worst lyrics of all time". [6] But in a retrospective review, AllMusic journalist Andy Kellman wrote that the song "looks atrocious on paper but sounds fantastic ...
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The song was released on February 21, 2018, as a promotional single for X's upcoming sophomore studio album, ?, which would be released on March 16, 2018.The song, dedicated to those who died in and survived the Parkland shooting, speaks of subject of survivor's guilt that may be experienced by those who survived the shooting, with X singing, "she keep cryin', she keep cryin' every single ...
On "Demeanor", Pop Smoke discusses suffering from poverty, while mentioning how women like how he acts and being heavily intoxicated. Lipa pays tribute to him in her verse. Several music critics criticized the lyrics and thought the song was not something Pop Smoke would make.
"Roamin' Thru' the Gloamin' with 40,000 Headmen" (album title: "Forty Thousand Headmen"), written by Steve Winwood and Jim Capaldi, was first recorded by Traffic in 1967 or 1968. It was initially released as B-side to the "No Face, No Name and No Number" single in 1968 and also appears on their second album T