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Mono no aware (物の哀れ), [a] lit. ' the pathos of things ' , and also translated as ' an empathy toward things ' , or ' a sensitivity to ephemera ' , is a Japanese idiom for the awareness of impermanence ( 無常 , mujō ) , or transience of things, and both a transient gentle sadness (or wistfulness ) at their passing as well as a longer ...
According to the critic Carl Woodring, "She Dwelt" can also be read as an elegy. He views the poem and the Lucy series in general as elegiac "in the sense of sober meditation on death or a subject related to death", and that they have "the economy and the general air of epitaphs in the Greek Anthology ... if all elegies are mitigations of death, the Lucy poems are also meditations on simple ...
And Still I Rise is Maya Angelou's third volume of poetry. She studied and began writing poetry at a young age. [1] After her rape at the age of eight, as recounted in her first autobiography, I Know Why the Caged Bird Sings (1969), she dealt with her trauma by memorizing and reciting great works of literature, including poetry, which helped bring her out of her self-imposed muteness.
"All Watched Over by Machines of Loving Grace" is a poem by Richard Brautigan first published in his 1967 collection of the same name, his fifth book of poetry.It presents an enthusiastic description of a technological utopia in which machines improve and protect the lives of humans.
The poet makes a swerve away from the precursor in the form of a "corrective movement". This swerve suggests that the precursor "went accurately up to a certain point", but should have swerved in the direction that the new poem moves. Bloom took the word clinamen from Lucretius, who refers to swerves of atoms that make change possible. [3]
In Blackwater Woods is a free verse poem written by Mary Oliver (1935–2019). The poem was first published in 1983 in her collection American Primitive , which won the 1984 Pulitzer Prize . [ 1 ] The poem, like much of Oliver's work, uses imagery of nature to make a statement about human experience.
[26] [2] In her pastoral poems, Killigrew suggests what it meant to her to be virtuous in a world of license. She creates poems in which chastity, emotional self-control, and constancy are all valued. "Anne Killigrew's poetry finds its value as an act of reflection and exploration of courtly life and morality." [26]
Had misgivings as regards this poem, for it was easy here to resort to the mere political narrative. But the workers' response gave me encouragement, made me confident the poem was indeed relevant." [1] In October Mayakovsky also read the poem at some private meetings, notably in Valerian Kuybyshev's Kremlin office, and at Anatoly Lunacharsky's ...