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Besides ornamental wrought-iron work, Gispen produced things like firesides, lamps, wooden furniture and clocks. Gispen also designed his own advertisements. In 1919 the workshop moved to the Voorhaven in Rotterdam Delfshaven. In the same year the new company name was introduced: Gispen’s fabriek voor metaalbewerking.
The Crusie lamp consists of two lamp pans, one above the other. Fuel drip from the upper lamp pan fell into the lower pan minimizing oil/grease mess below the lamp. In the evolution to the Betty lamp, replacing the upper lamp pan with a metal wick holder inside the lower pan reduces the amount of metal needed for the lamp.
A Roman hanging lamp or chandelier. Hanging lighting devices, some described as chandeliers, were known since ancient times, and circular ceramic lamps with multiple points for wicks or candles were used in the Roman period. [11] [12] The Roman terms lychnuchus or lychnus, however, can refer to candlestick, floor lamps, candelabra, or ...
He produced wrought iron lamps, chandeliers, hand rails and began designing furniture like his "Chaise inclinable" of 1924. [3] As a craftsman in wrought iron, he was commissioned between 1923 and 1939 by local architects as Jean Bourgon, Pierre Le Bourgeois, Raphaël Oudeville or Alfred Thomas to contribute to their Art deco projects.
Wrought iron is a form of commercial iron containing less than 0.10% of carbon, less than 0.25% of impurities total of sulfur, phosphorus, silicon and manganese, and less than 2% slag by weight. [18] [19] Wrought iron is redshort or hot short if it contains sulfur in excess quantity. It has sufficient tenacity when cold, but cracks when bent or ...
On one wall was a fireplace with a large hood; there were lighting sconces on either side of the fireplace. [8] The 2017 plans call for the ground-level men's lounge to be converted to retail and mechanical space. [11] To the west of the grand foyer was a marble staircase with iron handrails, which led to a circular ground-level women's lounge.