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Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
Friendship bracelets are often handmade, usually of embroidery floss or thread and are a type of macramé. There are various styles and patterns, but most are based on the same simple half-hitch knot. They represent a friendship that is strong and everlasting. The amount of thread used in bracelets varies depending on the pattern.
When it is worn around the ankle it is called an ankle bracelet or anklet. A boot bracelet is used to decorate boots. Bracelets can be manufactured from metal, leather, cloth, plastic, bead or other materials, and jewelry bracelets sometimes contain jewels, rocks, wood, shells, crystals, metal, or plastic hoops, pearls and many more materials.
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A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 millimeter (0.039 in) to over 1 centimeter (0.39 in) in diameter.
In the case of children, the use of a bracelet with attractive colored beads helps evangelists connect with and communicate the gospel to their young audience. The most common form of the Salvation Bracelet consists of a series of colored beads stringed onto a cord and then tied to form a bracelet to be worn on the wrist.
Patterns often have their origins in early ideographs. Geometric patterns and patterns of plant, animal and nature motifs are the four most basic patterns. Geometric patterns include triangles, squares, diamonds, zigzags, latticework, frets, spirals sawteeth, circles, ovals and concentric circles. Stone Age rock carvings feature animal designs ...
The Rigveda (~1500–1200 BCE) has the earliest clear mention of Rudra ("Roarer") in its hymns 2.33, 1.43 and 1.114. The text also includes a Satarudriya , an influential hymn with embedded hundred epithets for Rudra, that is cited in many medieval era Shaiva texts as well as recited in major Shiva temples of Hindus in contemporary times.