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Bloody Saturday, by H. S. Wong. Bloody Saturday (Chinese: 血腥的星期六; pinyin: Xuèxīng de Xīngqíliù) is a black-and-white photograph taken on 28 August 1937, a few minutes after a Japanese air attack struck civilians during the Battle of Shanghai in the Second Sino-Japanese War.
No Woman No Cry at the Google Art Project; No Woman No Cry at the Tate Gallery; Chris Ofili: A journey from elephant art to mother nature's son, Charlotte Higgins, The Guardian, 2 December 1998; Chris Ofili, Dan Glaister, The Guardian, 2 December 1998; Chris Ofili at Tate Britain, Jackie Wullschlager, Financial Times, 29 January 2010
The Crying Boy is a mass-produced print of a painting by Italian painter Giovanni Bragolin [1] (1911–1981). This was the pen-name of the painter Bruno Amarillo. It was widely distributed from the 1950s onwards. There are numerous alternative versions, all portraits of tearful young boys or girls. [1]
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Cry, the Beloved Country is a social protest against the structures of the society that would later give rise to apartheid. Paton attempts to create an unbiased and objective view of the dichotomies it entails: he depicts whites as affected by "native crime" while blacks suffer from social instability and moral issues due to the breakdown of ...
The episode "The Fifties Show" depicted a fictional black-and-white show called That's Our Rosie. In it, a Reddy Kilowatt doll was used in a fake commercial for a utility company, pitched by Dan and DJ in the manner of the early days of television in the 1950s, when shows featured the performers promoting their sponsor's products. [39]
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The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.