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Beethoven's compositional choice of a rondo finale comes from the Classical sonata form. [4] The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4]
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
Cello Sonata No. 1 in F major: 1796 Vienna, 1797 Friedrich Wilhelm II of Prussia: xiii/105 v/3 [6] Op. 5/2 Cello Sonata No. 2 in G minor 1796 Vienna, 1797 Friedrich Wilhelm II of Prussia xiii/106 v/3 [6] WoO 45 Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus in G major 1796 Vienna, 1797
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
Cello Sonatas Nos. 1 and 2 (Beethoven) Cello Sonata No. 3 (Beethoven) Cello Sonatas Nos. 4 and 5 (Beethoven) This page was last ...
Cello Sonata No. 2 may refer to: Cello Sonatas Nos. 1 and 2 (Beethoven), by Ludwig van Beethoven; Cello Sonata No. 2 (Brahms), by Johannes Brahms;