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Edward B. Marks Corporation was the publisher of "There'll Be Some Changes Made." The sheet music cover design, artwork by Irving Politzer (1898–1972), featured portraits of performers who had recorded the song. Those appearing on covers include Marion Harris, Ruth Etting, and Benny Goodman.
"Got to Get You into My Life" is a song by the English rock band the Beatles, first released in 1966 on their album Revolver. It was written by Paul McCartney and credited to Lennon–McCartney. [5] [6] The song is a homage to the Motown Sound, with colourful brass instrumentation [7] and lyrics that suggest a psychedelic experience. [1] "
He wrote the lyrics in one day. The band first rehearsed the song at the Whisky a Go Go. [2] Lamm said the song is about trying to write a song in the middle of the night. The song's title is the time at which the song is set: 25 or 26 minutes before 4 a.m., phrased as, "twenty-five or [twenty-]six [minutes] to four [o’clock]," (i.e. 03:35 or ...
Peter Cetera originally wrote "If You Leave Me Now" at the same time as Chicago VII's "Wishing You Were Here", and composed it on a guitar. [22] According to information on the sheet music for the song at MusicNotes, "If You Leave Me Now" is written in the key of B major, and Cetera's vocal range varies between F sharp 3 (F♯ 3) and D sharp 5 (D♯ 5).
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
"Saturday in the Park" is a song written by Robert Lamm and recorded by the group Chicago for their 1972 album Chicago V. It was very successful upon release, reaching No. 3 on the Billboard Hot 100, [6] and became the band's highest-charting single at the time, helping lift the album to No. 1. [7] Billboard ranked it as the No. 76 song for 1972.
The title song, "Them Changes," is now widely acknowledged to be an adaptation of the 1969 song "Sing Lady Sing" by The New York Rock & Roll Ensemble. [2] "Buddy Miles took pretty much all the guitar lines that Michael (Kamen) and I wrote and used them in 'Them Changes,'" said NYRRE guitarist Cliff Nivison. "It is the same song with a different ...