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Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [ 3 ] [ 2 ] Three-dimensional muqarnas was often also carved in stucco, [ 24 ] [ 7 ] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
Banna'i brickwork in the Mausoleum of Khoja Ahmed Yasavi.The blue brickwork spells out the names of Allah, Muhammad and Ali in square Kufic calligraphy.. In Iranian architecture, banna'i (Persian: بنائی, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to ...
In the western Islamic world, muqarnas decoration was definitively introduced during the reign of the Almoravid emir Ali ibn Yusuf. [ 1 ] [ 36 ] The earliest examples, although limited to small details of larger domes, are found in the Almoravid Qubba in Marrakesh , Morocco, built probably in 1117 or 1125, [ 36 ] [ 37 ] and in the stucco ...
The Noor Cultural Centre was an Islamic cultural centre located in the Don Mills neighbourhood in Toronto, Ontario, Canada, on the east side of the Don Valley Parkway just north of Eglinton Avenue. As of October 2021, the location was sold after 18 months of continuous lockdowns due to the pandemic, and the organization now maintains its ...
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
The Jaffari Community Centre (JCC) is a Shia Islam husayniyya and community centre, located in the Thornhill district, in the Greater Toronto area of Ontario, Canada.In addition to the prayer hall, the centre contains a library, cafe, gym, several banquet halls, and school, and primarily serves as a mosque.
Panel of stucco decoration from Abbasid Samarra (9th century), Iraq, exemplifying the "beveled" style that employed more abstract motifs. [43] Features from the late Umayyad period, such as vaulting, carved stucco, and painted wall decoration, were continued and elaborated in the Abbasid period. [39]
[67] [68] [3] The three types (Styles A, B, and C) of stucco decoration best exemplified, and perhaps developed, in Abbasid Samarra were quickly imitated elsewhere and Style C, which itself remained common in the Islamic world for centuries, was an important precursor to fully developed arabesque decoration.