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The andon is a lamp consisting of paper stretched over a frame of bamboo, wood or metal. [1] The paper protected the flame from the wind. Burning oil in a stone, metal, or ceramic holder, with a wick of cotton or pith, provided the light. They were usually open on the top and bottom, with one side that could be lifted to provide access. [2]
Toleware coffee pot, circa 1940. The term tôle, derived from the French tôle peinte, "painted sheet metal", is synonymous in English usage with japanning on tin, [1] such as the tôle shades for bouillotte lamps and other candle shades, and trays and lidded canisters, in which stenciling and gilding often features, almost always on a black ground.
A second, thicker blanket is placed over the kotatsu table, above which the tabletop is placed. The electric heater attached to the underside of the table heats the space under the comforter. Charcoal: The more traditional type is a table placed over a recessed floor, hori-gotatsu (掘り炬燵). The pit is cut into the floor and is about 40 ...
' hanging lamp '), which usually hang from the eaves of a roof, and dai-dōrō (台灯籠, lit. ' platform lamp '), used in gardens and along the approach of a shrine or temple. [3] The two most common types of dai-dōrō are the bronze lantern and the stone lantern, which look like hanging lanterns laid to rest on a pedestal.
Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century. American work, except in the carriage and early automobile industries, is more often called toleware. [1]
Kutani ware (九谷焼, Kutani-yaki) is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. [1] It is divided into two phases: Ko-Kutani (old Kutani), from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century.