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The symbols of the four Evangelists are here depicted in the Book of Kells. The four winged creatures symbolize, top to bottom, left to right: Matthew, Mark, Luke, and John. Matthew the Evangelist, the author of the first gospel account, is symbolized by a winged man, or angel.
The symbols of the four evangelists are derived from a vision in the book of the Old Testament prophet Ezekiel of four living creatures in the form of men, but each with four faces: "As for the likeness of their faces, each had the face of a man in front; the four had the face of a lion on the right side, the four had the face of an ox on the ...
In their earliest appearances, the Evangelists were depicted in their human forms each with a scroll or a book to represent the Gospels. By the 5th century, images of the Evangelists evolved into their respective tetramorphs. [3] By the later Middle Ages, the tetramorph in the form of creatures was used less frequently.
The four Evangelists' symbols appear on the left and right of these scenes, at about a third the size of the scenes from the Life of Christ, in golden Repoussé. These eight reliefs are stylistically very similar to those of the Pala d'Oro in Aachen Cathedral, so they were most likely created by a single goldsmithery, probably in Fulda. [1]
In Christianity, the man, lion, ox, and eagle are used as symbols for the four evangelists (or gospel-writers), [28] and appear frequently in church decorations. These Creatures are called Zoë (or the Tetramorph), and surround the throne of God in Heaven, along with twenty-four elders and seven spirits of God (according to Revelation 4:1–11).
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Jerusalem cross based on a cross potent (as commonly realised in early modern heraldry) The national flag of Georgia The Jerusalem cross (also known as "five-fold Cross", or "cross-and-crosslets") is a heraldic cross and Christian cross variant consisting of a large cross potent surrounded by four smaller Greek crosses, one in each quadrant, representing the Four Evangelists and the spread of ...
The four Evangelists’ accounts were said to “tell the same, doctrinally correct story.” [10] They are all pictured with their respective emblems in the miniatures. Each portrait features one of the Evangelists with a stylus and a book. This is symbolic of the power of God and gives the religious message a scholarly context.