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Before 1976, sound recordings were not protected by national copyright law in the United States; instead, the protection of these works was under the jurisdiction of the state and local governments. This resulted in great variation in laws across the country, with some jurisdictions extending perpetual protection to sound recordings.
Both the recorded music sector and music publishing sector have their foundations in intellectual property law and all of the major recording labels and major music publishers and many independent record labels and publishers have dedicated "business and legal affairs" departments with in-house lawyers whose role is not only to secure ...
For example, for a musical, the rights must be obtained for the book, lyrics, and music. A producer can also hire a writer to create a work. This could be defined as a Work for hire. If the work is a work for hire, the copyright of the material would be given to the producer of the show, not the writer.
In the United States, broadcasters can pay for their use of music in one of two ways: they can obtain permission/license directly from the music's copyright owner (usually the publisher), or they can obtain a license from ASCAP, BMI, SESAC, or Global Music Rights to use all of the music in their repertoires. ASCAP, BMI, SESAC, and Global Music ...
US copyright laws distinguish between musical compositions and sound recordings, the former of which refers to melody, notation or lyrics created by a composer or lyricist, including sheet music, and the latter referring to a recording performed by an artist, including a CD, LP, or digital sound file. [26]
Note that this only applies to recordings and not lyrics/sheet music. For example, all intellectual property rights relating to the sheet music and lyrics to Rhapsody in Blue expired in 2020, when all written works published in 1924 entered the public domain. The recording itself, however, was protected until January 1, 2025.
The intricacies of music may matter less in the end if, as many expect, the AI cases boil down to a "fair use" defense against infringement claims - another area of U.S. copyright law filled with ...
Music licensing is the licensed use of copyrighted music. [1] Music licensing is intended to ensure that the owners of copyrights on musical works are compensated for certain uses of their work. A purchaser has limited rights to use the work without a separate agreement.