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In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, to important monasteries , as well ...
Classical art [Note 2] is the art developed in ancient Greece and Rome, whose scientific, material and aesthetic advances contributed to the history of art a style based on nature and the human being, where harmony and balance, the rationality of forms and volumes, and a sense of imitation ("mimesis") of nature prevailed, laying the foundations ...
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner of the Khan Academy for art history. [1] [2] It is funded by the National Endowment for the Humanities. [3]
Media transparency, also referred to as transparent media or media opacity, [1] is a concept that explores how and why information subsidies are being produced, distributed and handled by media professionals, including journalists, editors, public relations practitioners, government officials, public affairs specialists, and spokespeople. In ...
Expressionism and Symbolism are broad rubrics that involve several important and related movements in 20th-century painting that dominated much of the avant-garde art being made in Western, Eastern and Northern Europe. Expressionist works were painted largely between World War I and World War II, mostly in France, Germany, Norway, Russia ...
The rediscovered art and writings of ancient Greece offered an alternative tradition of nudity as symbolic of innocence and purity which could be understood in terms of the state of man "before the fall". Subsequently, norms and behaviors surrounding nudity in life and in works of art diverged during the history of individual societies. [107]
Large laser elements made from transparent ceramics can be produced at a relatively low cost. These components are free of internal stress or intrinsic birefringence, and allow relatively large doping levels or optimized custom-designed doping profiles. This makes ceramic laser elements particularly important for high-energy lasers.
These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or “painting as object”) which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko ...