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When Karl Dunn, 53, began the divorce process, he received support at work from other divorced men. As a gay man, Dunn says he was shocked to connect deeply with so many straight male coworkers.
A film version of the novel was made in 1979, eleven years after the novel's publication. With a screenplay written by Collins herself, and co-produced by her husband Oscar Lerman, the film was made to capitalize on the success of The Stud and The Bitch, two of Collins' other novels made into films in 1978 and 1979.
The post 50 Bizarre Divorce Stories That Prove Truth Is Stranger Than Fiction first appeared on Bored Panda. Like a disagreement over Star Trek or a fight about toilet paper.
After peaking during the 1970s and '80s, much has made of the fact that divorce rates are now on the decline, especially among millennials. Still, if you’re thinking about splitting, or you’ve ...
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[55] [56] Hooks argues that liberal feminists' demonization of men as all-powerful misogynist oppressors was a product of bourgeois white women's envy of the privileges held by upper-class white men, and that such anti-male sentiments "alienated many poor and working class women, particularly non-white women" from the movement. [57]
Two divorce memoirs recently hit bookshelves: Lyz Lenz’s “This American Ex-Wife” and Leslie Jamison’s “Splinters," along with some viral essays about divorce.
Other novelists such as Nicholas Sparks who wrote A Walk to Remember and The Notebook usually write from the male perspective, foregrounded by typical prefaces and diary entries at the beginning of the story. Romantic stories told from the point of view of a male protagonist are very common among Japanese shounen and seinen manga and bishoujo ...