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Kathakali is different from a similar-sounding Kathak, though both are Indian classical dance traditions of "story play" wherein the stories have been traditionally derived from the Hindu epics and the Puranas. Kathak is an ancient performance art that emerged in North India, with roots in traveling bards retelling mythical and spiritual ...
Darpana Academy of Performing Arts is a school for performing arts in Ahmedabad, Gujarat, established by Mrinalini Sarabhai and Vikram Sarabhai in 1949, [1] [2] it has been directed by their daughter Mallika Sarabhai for the last three decades. [3]
The Kathakali technique of using the face expression is a pure marvel of accomplishment. Some ancient masters of this dance have such control of their facial muscles that they can laugh with one side and cry with the other. Every Kathakali must be master of both tandava (vigorous masculine style at changing from one style to another).
Gopi is known for the romantic and dramatic portrayal of the virtuous pachcha roles in Kathakali, notable among them being Nalan, Karnan and Rukmangadan.He has also played the choreographically denser roles of Bheeman (in the stories Kalyanasougandhikam or Bakavadham), Arjuna (Subhadraharanam) and Dharmaputrar (that's Yudhishthira in Kirmeeravadham).
Theatre State/Region Originated Features Exponents Akhyana: Gujarat: Enactment of religious episodes from Ramayana, Mahabharata and Bhagavata by Mana-bhatas: Premanand Bhatt, [2] [3] Narsinh Mehta, Acharya Hemachandra
Similarly, in the Koratty style, Darika's mudi resembles the Kathakali crown and his face paint the Kathi Veshas of Kathakali. This points to how the two forms have become interlinked even though Mudiyettu predates Kathakali, with epigraphists tracing its evolution as an art to even the 9th or 10th century AD.
Kathakali being performed in the cultural attire. Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama kathakali. [1] The word aatta-katha literally means "story for dancing and acting" [2] (atu "to sway" + kathā "story"). [3]
Nalacharitham is a Kathakali play written by Unnayi Warrier.Based on the Mahabharatha, it tells the story of King Nalan and his consort Damayanthi.The play consists of four parts – called First, Second, Third and Fourth Day – each part being long enough to be performed over a full night.