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Carter-style lick. [1] Play ⓘ In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what ...
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters , with the most standards on the charts at five each, [ 8 ] used electric blues-ensemble arrangements.
Roy Book Binder (born October 5, 1941 as Paul Roy Bookbinder) is an American blues guitarist, singer-songwriter and storyteller. [1] A student and friend of the Rev. Gary Davis, he is equally at home with blues and ragtime. He is known to shift from open tunings to slide arrangements to original compositions, with both traditional and self ...
He is featured as an author and guitarist in The Gold Mine Series, as a coauthor with Chad Johnson in 100 Blues Lessons and with Paul Silbergleit in 100 Jazz Lessons. [4] Heussenstamm was also a featured guitar instructor in three DVDs published by Hal Leonard: 200 Blues Licks , 200 Jazz Licks and 200 Country Licks . [ 5 ]
Familiar examples of open E tuning include the distinctive song "Bo Diddley" by Bo Diddley, the beginning guitar part on the song "Jumpin' Jack Flash" and the rhythm guitar on "Gimme Shelter" by The Rolling Stones, as well as their distinctly earthy blues song "Prodigal Son" from the Beggars Banquet album, originally by Robert Wilkins.
Acoustic blues* [365] Ted Hawkins: 1936 1995 Mississippi Acoustic blues [375] Big Boy Henry: 1921 2004 North Carolina Electric blues* [376] George Higgs: 1930 2013 North Carolina Electric blues* [377] Fruteland Jackson: 1953 Mississippi Electric blues* [377] Colin James: 1964 Canada Electric blues [378] Steve James: 1950 New York Acoustic blues ...
British blues emerged from the skiffle and folk club scene of the late 1950s, particularly in London, which included the playing of American acoustic blues.Critical was the visit of Muddy Waters in 1958, who initially shocked British audiences by playing amplified electric blues, but who was soon performing to ecstatic crowds and rave reviews. [30]
The term "The Lick" was coined by an eponymous Facebook group in the 2010s and popularized by a YouTube video assembled from clips from the group by professor Alex Heitlinger in 2011. [5] " The Lick" was not first seen in jazz, as examples of classical music, such as The Firebird by Igor Stravinsky , include tonal sequences similar to "The Lick".