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To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante [2] and later mentioned by Serlio in his seven-volume architectural book Tutte l'opere d'architettura et prospetiva expounding the ideals of Vitruvius and Roman architecture, this arched window is flanked by two lower ...
Mullioned windows of a simpler form continued to be used into the Renaissance and various Revival styles. Italian windows with a single mullion, dividing the window into two equal elements are said to be biforate, or to parallel the Italian bifore windows.
Typical of the Romanesque and Gothic periods, in which it became an ornamental motif for windows and belfries, the bifora was also often used during the Renaissance period. [4] In Baroque architecture and Neoclassical architecture the bifora was largely forgotten, or replaced by elements like the three openings of the Venetian window .
Also, the external divisions of a building by fenestration (windows). Bay window A window of one or more storeys projecting from the face of a building. Canted: with a straight front and angled sides. Bow window: curved. Oriel: rests on corbels or brackets and starts above ground level; also the bay window at the dais end of a medieval great ...
Pointed arch windows of Gothic buildings were initially (late 12th–late 13th centuries) lancet windows, a solution typical of the Early Gothic or First Pointed style and of the Early English Gothic. [1] [5] Plate tracery was the first type of tracery to be developed, emerging in the style called High Gothic. [1]
An Ipswich window is an adapted form of the Venetian window in which the distinguishing feature is in the arrangement of the panes of glass: A Venetian window has an arched central light, symmetrically flanked by two shorter sidelights; an Ipswich window places the Venetian window within a rectangular frame, adds window panes above the central ...