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Outtakes from several movies, including The Adventures of Robin Hood: For Auld Lang Syne: Himself A short showing celebrities aiding the Will Rogers Memorial Fund 1943 Show Business at War: Himself Louis De Rochemont 1952 Cruise of the Zaca: Himself / narrator Errol Flynn: Technicolor: Deep Sea Fishing: Himself / narrator Errol Flynn Technicolor
Edge of Darkness (a.k.a. Norway in Revolt) is a 1943 World War II film directed by Lewis Milestone that features Errol Flynn, Ann Sheridan, and Walter Huston. [4] The feature is based on a script written by Robert Rossen which was adapted from the 1942 novel The Edge of Darkness by William Woods.
This was the first film produced under Flynn's new contract with Warners which allowed him a say in the choice of vehicle, director and cast, plus a portion of the profits. He formed his own company, Thomson Productions, to make Uncertain Glory and planned to make a series of films with director Raoul Walsh.
It was Flynn's first movie since last August 1946 when he finished making Cry Wolf. In between he had made a long cruise on the Zaca which was turned into the movie The Cruise of the Zaca and was a period where he bought property on Jamaica. [18] The movie was shot in Warner Bros studio and on location in Bishop City, California. It was a big ...
Errol Flynn, Maureen O'Hara, Anthony Quinn: ... Audie Murphy, Beverly Tyler, Yvette Dugay: Western: ... 1952 films at the Internet Movie Database This page was last ...
Audie Murphy (20 June 1925 – 28 May 1971) was a highly decorated American soldier and Medal of Honor recipient who turned actor. He portrayed himself in the film To Hell and Back, the account of his World War II experiences. During the 1950s and 1960s he was cast primarily in westerns.
Cry Wolf is a 1947 American mystery film noir directed by Peter Godfrey and starring Errol Flynn, Barbara Stanwyck and Geraldine Brooks. It was produced and distributed by Warner Bros. It is based on the 1945 novel of the same name by Marjorie Carleton .
The New York Times called it Flynn's best swashbuckler since The Sea Hawk. [20] "Flynn himself hasn't been served better in years", wrote the Los Angeles Times. [21] The Washington Post called the film "a chaotic tale deserving of his [Flynn's] undisputed prowess." [22] Filmink magazine wrote that "the story has no real villain and is robbed of ...