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The company was established as "Fabrique Genevoise de Crayons Ecridor" in Geneva in 1915. [2] When Arnold Schweitzer took over the company in 1924, he renamed it after Caran d'Ache, the pseudonym of the Russian-French satiric political cartoonist Emmanuel Poiré – who in turn took his pseudonym from карандаш (karandash), the Russian word for 'pencil', itself of Turkic origin.
Born in Moscow on 6 November 1858, d'Ache was the grandson of an Officer-Grenadier in Napoleon's Grande Armée who, wounded during the Battle of Borodino, had stayed behind in Russia. [5] After his grandfather's death, he was adopted by a Polish family whose daughter he later married. His younger sister, Maria Poiret, became a famous dancer and ...
Carole Hübscher Clements (born 16 April 1967) is a Swiss entrepreneur. She has been CEO of Geneva-based colored pencil and stationery manufacturer Caran d'Ache [1] since 2012 and is the fourth generation to head the company.
UHD Phase A is a set of guidelines from the Ultra HD Forum for the distribution of SDR and HDR content using Full HD 1080p and 4K UHD resolutions. It requires a color depth of 10 bits per sample, a color gamut of Rec. 709 or Rec. 2020, a frame rate of up to 60 fps, a display resolution of 1080p or 2160p and either standard dynamic range (SDR ...
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Tone mapped high-dynamic-range (HDR) image of St. Kentigerns Roman Catholic Church in Blackpool, Lancashire, England, UK. Tone mapping is a technique used in image processing and computer graphics to map one set of colors to another to approximate the appearance of high-dynamic-range (HDR) images in a medium that has a more limited dynamic range.
"Luminance" can mean several things even within the context of video and imaging: luminance is the photometric brightness of an object (in units of cd/m 2), taking into account the wavelength-dependent sensitivity of the human eye (the photopic curve); relative luminance is the luminance relative to a white level, used in a color-space encoding;
Rivière was soon joined by Caran d'Ache and other artists, initially performing d'Ache's drama L’Epopee. From 1886 to 1896, Rivière created 43 shadow plays on a great variety of subjects from myth, history and the Bible. He collaborated with many different artists and writers, but made the illustrations for only 9 of the productions himself.