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The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s. This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
These images were called portraits of distinction, and featured important figures to the Harlem Renaissance such as Langston Hughes and Countee Cullen. Allen's work appeared in several popular publications by proponents and supporters of the Harlem Renaissance movement, such as The Opportunity, The Messenger, and The Crisis. [2]
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. [1]
Although awards were created in eight categories, it is best known for its impact on African-American art of the Harlem Renaissance, and particularly on the visual arts. During its existence the Harmon award was largely considered synonymous with Negro visual art:
The Metropolitan rejected Harlem residents from planning the exhibition and utilized photography as the sole method of representation, excluding all sculptures, paintings, drawings, and prints by Harlem artists. [17] At the time, Harlem artists — and the art world at large — did not view photography as an art form, but as a form of ...
Richmond Barthé: His Life in Art. Unity Works, 2009. ISBN 978-0-692-00201-8; Nugent, Richard Bruce. Gay Rebel of the Harlem Renaissance. Durham and London: Duke University Press, 2002. ISBN 9780822329138; Pamphile, Léon Dénius. Haitians and African Americans: A Heritage of Tragedy and Hope. University Press of Florida, 2001. ISBN 978-0-8130 ...
He was drawn towards the tolerance of Harlem society and the excitement it generated among black writers and artists. He also felt most accepted there as a gay man. [16] Van Vechten promoted many of the major figures of the Harlem Renaissance, including Paul Robeson, Langston Hughes, Ethel Waters, Richard Wright, Zora Neale Hurston and Wallace ...