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An oxymoron is a figure of speech in which a pair of opposite or contradictory terms is used together for emphasis. [27] Examples: Organized chaos, Same difference, Bittersweet. A paradox is a statement or proposition which is self-contradictory, unreasonable, or illogical. [28] Example: This statement is a lie.
Epanadiplosis is a figure of repetition affecting syntactic position (the order of words in the sentence). [2] For César Chesneau Dumarsais, the figure appears “when, of two correlative propositions, one begins and the other ends with the same word”, [3] or when, according to Henri Suhamy, [4] only two propositions are involved.
The word order of poetry is even freer than in prose, and examples of interleaved word order (double hyperbaton) are common. In terms of word order typology, Latin is classified by some scholars as basically an SOV (subject-object-verb) language, with preposition-noun, noun-genitive, and adjective-noun (but also noun-adjective) order.
In rhetoric, antithesis is a figure of speech involving the bringing out of a contrast in the ideas by an obvious contrast in the words, clauses, or sentences, within a parallel grammatical structure. [7] The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of ...
In linguistics, word order (also known as linear order) is the order of the syntactic constituents of a language. Word order typology studies it from a cross-linguistic perspective, and examines how languages employ different orders. Correlations between orders found in different syntactic sub-domains are also of interest.
When a word, phrase, image, or idea is repeated throughout a work or several works of literature. For example, in Ray Bradbury's short story, "There Will Come Soft Rains", he describes a futuristic "smart house" in a post-nuclear-war time. All life is dead except for one dog, which dies in the course of the story.
Nonlinear narrative, disjointed narrative, or disrupted narrative is a narrative technique where events are portrayed, for example, out of chronological order or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions or narrating another story inside the main plot-line.
In linguistics, aspect is a grammatical category that expresses how a verbal action, event, or state, extends over time. For instance, perfective aspect is used in referring to an event conceived as bounded and unitary, without reference to any flow of time during the event ("I helped him").