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A number of 3-D films were made by RKO using Technicolor Monopack. Technicolor expanded into India in the 1950s and Jhansi Ki Rani was the first Technicolor film made in India. In 1956, Technicolor made an agreement with Ramnord Research Laboratories as its processor. An imbibition lab was planned for Bombay, but was never created. [29]
Technicolor also dye-transfer printed Eastmancolor and Ansco negative movies where the negative had been processed by another laboratory with the credit Print by Technicolor. Technicolor publicity dated 1954 added the facility to produce dye transfer release prints from Agfacolor , Gevacolor and Ferraniacolor color negative stock, popular in ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
While modern digital film scanning and color correcting techniques have mitigated this issue to a degree, it highlights the importance of digitizing and backing up of analog media. Technicolor continued to offer its proprietary imbibition dye-transfer printing process for projection prints until 1975, and even briefly revived it in 1998.
Technicolor Group S.A. (formerly Technicolor Creative Studios, Technicolor SA, and Thomson Multimedia) is a French company that is involved in visual effects, motion graphics and animation services for the entertainment, media and advertising industries.
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in ...
Veerapandiya Kattabomman is the first Tamil film to release its prints in Technicolor. Also in 1959, Athisaya Penn was entirely shot in Gevacolor with some portions in Technicolor. It is the first Tamil film to contain sequences originally shot in Technicolor. Gevacolor continued to be used in Tamil cinema even after the entry of Eastmancolor ...
She Wore a Yellow Ribbon is a 1949 American Technicolor Western film directed by John Ford and starring John Wayne. It is the second film in Ford's "Cavalry Trilogy", along with Fort Apache (1948) and Rio Grande (1950). With a budget of $1.6 million, the film was one of the most expensive Westerns made up to that time. It was a major hit for RKO.