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David Allan Coe (born September 6, 1939) is an American singer and songwriter. [2] Coe took up music after spending much of his early life in reform schools and prisons, and first became notable for busking in Nashville .
Contains alternate versions of Coe's hits up to 1981, along with the original version of "You Never Even Called Me By My Name." [12] 1984 The Best of David Allan Coe — — 1985 17 Greatest Hits — 197 US: Gold; For the Record: The First 10 Years: 46 — US: Gold; 1986 I Love Country — — 1989 Crazy Daddy — —
A Matter of Life…and Death would be Coe’s final album for Columbia, a partnership that stretched back to 1974 and produced 21 studio albums. Coe and longtime producer Billy Sherrill enjoyed their biggest commercial success together in the 1980s with Top 5 singles “The Ride” and “Mona Lisa Lost Her Smile," but by the end of the decade a new generation of country singers were ...
Unlike Coe’s first two albums, his third showed full commitment to country music, and Coe would play a part in the evolution of what would become known as outlaw country. The Mysterious Rhinestone Cowboy was produced by Rod Bledsoe and boasted a coterie of Nashville’s top session musicians, including steel player Pete Drake , pianist Hargus ...
Coe also covers the outlaw classic "London Homesick Blues", popularised by Jerry Jeff Walker, and, more curiously, the Tammy Wynette classic "Stand by Your Man". Coe plays it straight on the song, which was written by Wynette and Sherrill, and is heartfelt and moving, taking on a new meaning in a man's voice - more of a plea than a declaration ...
Since the decade began, Coe and producer Billy Sherrill did their best to widen Coe’s audience and appeal to country mainstream country radio in a number of ways, such as using outside writers and inviting guests to record duets, but success remained elusive. Coe’s highest charting single during this period was "Get a Little Dirt on Your ...
Then the camera man, sound recorder and director join David Allan Coe and film him playing a gig at the Tennessee State Prison where he admits to being a former inmate and tells a story of being there and seems to bring out friends of his onto the stage who still are inmates there and they perform a gospel number "Thank You Jesus" that they ...
The lyrics of Penitentiary Blues are often dark and foreshadow the content of Coe's later country albums, discussing themes such as working for the first time, blood tests from veins used to inject heroin, prison time, hoodoo imagery and death.