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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [ 1 ]
The next day they were already furiously at work on experiments in what they referred to variously as “ornamental”, "drawn," “paper”, “graphical”, “artificial” or "synthetic" sound. On the 20th of February, 1930, just a few months later, Arseny Avraamov mentioned a new trend in his lecture for the sound-on-film group at ARRK ...
This template creates a table with reviews for songs and albums. Only add a rating if you cite it with a reference. The template is not to be a substitute for a section in paragraph form. Template parameters [Edit template data] This template prefers block formatting of parameters. Parameter Description Type Status 1st reviewer rev1 The name of the first reviewer. String required 1st reviewer ...
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," [1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers.
Written between 1963 and 1967, Treatise is a graphic musical score comprising 193 pages of lines, symbols, and various geometric or abstract shapes that largely eschew conventional musical notation. Implicit in the title is a reference to the philosophy of Ludwig Wittgenstein, which was of particular inspiration to Cardew in composing the work. [1]
The text of the book was created using chance procedures to determine which of the 269 composers would be asked to write about their work, and how many words each entry was to consist of. These pieces of writing, which contain from one to sixty-four words, are preceded by paragraph signs.
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