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Style refers to the visual appearance of a work of art that relates to other works with similar aesthetic roots, by the same artist, or from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been historian's principal mode of classifying works of art".
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.
The arts are a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art," which as a description of a field usually means only the visual arts. The arts encompasses visual arts, literary arts and the performing arts – music, theatre, dance, spoken word and film, among others.
The Boston origins of the American movement date to a "wave of German and European-Jewish immigrants" in the 1930s and their "affinities to the contemporary German strain of figurative painting ... in artists like Otto Dix (1891–1969), Ernst Ludwig Kirchner (1880–1938), Oskar Kokoschka (1886–1980), and Emil Nolde (1867–1956), both in style and in subject matter," art historian Adam ...
The style also has the energy of Turkman paintings from 15th century, apart from different influences the style has "Indian humanism, an interest in the mass and rhythms of the human body". Most prominents and earliest available series of paintings from the school are twelve illustrations to the history of the reign of Husain Nizam Shah I ...
The history of Western visual arts in general, until the modern era, has had a focus on symbolic, arranged presentation, and (aside from direct personal portraiture) was heavily dependent on stationary artists' models in costume – which can be regarded as small-scale tableaux vivants with the artist as temporary audience.
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Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.