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The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
The B-45-12, a 12-string edition guitar introduced in 1961, was the first B-45 model guitar available and the first B series overall. The B-45-12 had a mahogany body and neck, spruce top, rosewood fingerboard, and a cherry sunburst finish, and was made with "round" shoulders for the 1961 – 1962 model year and "square" shoulders until the end of its production in 1979.
The Gibson J-45 is a guitar manufactured by the Gibson Guitar Corporation. Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style.
The guitar's combination of traditional magnetic pickups and piezo-electrics in the bridge allowed players to achieve both electric and acoustic tones. Perhaps most significant to the guitar's design is the almost complete absence of a neck heel to permit greater ease of access to the uppermost frets.