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The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models. Most were for three to six voices.
Madrigal (Italian: madrigale) is the name of a form of poetry, the exact nature of which has never been decided in English. [1] Definition and Characteristics. The New English Dictionary defines a madrigal as "a short lyrical poem of amatory character," but this definition is broad and not entirely accurate. Madrigals can be long, and often ...
His main interest seems to have been madrigals. A set of madrigals by him appeared in 1598, and a second in 1608, the two sets containing sixty-four pieces. [4] Wilbye is probably the most famous of all the English madrigalists; his pieces have long been favourites and are often included in modern collections. [4]
John Bennet (c. 1575 – after 1614) was a composer of the English Madrigal School. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599.
Pages in category "English madrigals" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. ...
A madrigal was the most common form of secular vocal music. “The poetic madrigal is a lyric consisting of one to four strophes of three lines followed by a two-line strophe." [8] The English Madrigals were a cappella, light in style, and generally began as either copies or direct translations of Italian models, with most being for four to six ...
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition [1] has 25 pieces by 23 composers (Thomas Morley and Ellis Gibbons have two madrigals) for 5 and 6 voices. The first 14 madrigals are for 5vv, the last 11 for 6vv. It was said to have been made to honour Queen Elizabeth I.
Fair Phyllis (also Fair Phyllis I saw, Fair Phyllis I saw sitting all alone) is an English madrigal by John Farmer. The music is polyphonic and was published in 1599. The madrigal contains four voices and uses occasional imitation. It also alternates between triple and duple beat subdivisions of the beat in different parts of the work.