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Sony Pictures: $74 million 2015 [5] 6 Miracles from Heaven: Sony Pictures: $73.9 million 2016 [6] 7 Son of God: Twentieth Century Fox: $71 million 2014 [7] 8 God's Not Dead: Freestyle Releasing: $64.7 million 2014 [8] 9 The Star: Sony Pictures: $62.8 million 2017 [9] 10 Jesus Revolution: Lionsgate: $54.3 million 2023 [10]
Films about God, the supreme being, creator deity, and principal object of faith in monotheism. Subcategories This category has the following 4 subcategories, out of 4 total.
A more oblique portrayal of God occurs in the television series Wonderfalls, where God appears not as a person but as a series of inanimate objects that lead the series's protagonist to perform good works in other people's lives. The word "God" is never mentioned in the show in relation to these encounters. [14]
One Nation Under God: Lisa Arnold United States 2 Hearts: Lance Hool United States The Reason: Randall Stevens United States 2021 2025: The World Enslaved by a Virus [24] Joshua Wesely Simon Wesely Germany Our Lady of San Juan, Four Centuries of Miracles: Francisco Pérez Mexico Lamb of God: The Concert Film: Rob Gardner United States Church People
This is a list of movies (including television movies) based on the Bible (Old Testament and New Testament), depicting characters or figures from the Bible, or broadly derived from the revelations or interpretations therein.
The God's Not Dead film series consists of American Christian-drama films, based on the book of same name authored by Rice Broocks. The overall plot centers on a Christian pastor named Rev. David "Dave" Hill, who argues for the reality of God through a number of occurrences, in a modern-day society.
Noah is a 2014 American epic biblical drama film directed by Darren Aronofsky, who co-wrote the screenplay with Ari Handel.Inspired by the biblical story of Noah's Ark from the Book of Genesis and the Book of Enoch, [4] it stars Russell Crowe as Noah, along with Jennifer Connelly, Ray Winstone, Emma Watson, Logan Lerman, and Anthony Hopkins.
According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". [6] Basing a film on the Bible allowed it to be more risqué than would normally have been accepted.