Search results
Results From The WOW.Com Content Network
Noli me tangere (Latin for Don't touch me or Stop touching me) is a c. 1514 painting by Titian of the Noli me tangere episode in St John's Gospel. The painting, depicting Jesus and Mary Magdalene soon after the resurrection, is in oil on canvas and since the nineteenth century has been in the collection of the National Gallery in London.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
Download as PDF; Printable version; ... (Titian) Diana and Callisto; H. Holy Family with a Shepherd; M. A Man with a Quilted Sleeve; N. Noli me tangere (Titian) P.
Download as PDF; Printable version; ... Noli me tangere (Correggio) S. Noli me tangere (Sustris) T. Noli me tangere (Titian) This page ...
National Gallery of Art (Washington, D.C.) Venus and Adonis - many different versions, with varying contributions by Titian himself. See one in the Prado above, and in Rome below. c. 1555: 106 × 133 cm: Metropolitan Museum of Art (New York) Filippo Archinto, Archbishop of Milan: c. 1555: 118 × 94 cm: Metropolitan Museum of Art (New York)
A religious painting of the same period, that has many similarities in style is the Noli me tangere, probably also of 1514 (National Gallery), in which Titian uses much the same group of buildings as at the left here, but reversed and without the tower.
Noli me tangere is an oil-on-canvas painting by Andrea del Sarto, executed c. 1510, depicting Jesus and Mary Magdalene soon after the resurrection. It was the first painting he produced for the Augustinian San Gallo church in Florence , as recorded by Anonimo Magliabechiano and in Vasari's Lives of the Artists , and he later produced the San ...
Titian's Venus of Urbino, c. 1534, Uffizi, largely the same pose in reverse Venus and Cupid with Dog and Partridge, mostly Titian's workshop, c. 1555, Uffizi. The painting is the final development of Titian's compositions with a reclining female nude in the Venetian style.