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Black Rain (1989 Japanese film) Black River (1957 film) Black Test Car; Blood Is Dry; Bloody Spear at Mount Fuji; Boyhood (1951 film) Branded to Kill; Brooba; A Brother and His Younger Sister; Brothers and Sisters of the Toda Family; Bullet Ballet; The Burmese Harp (1956 film) The Burning Sky; Bushido, Samurai Saga
Kirazuri (雲母摺り) is a method used in Japanese woodblock printmaking using mica powder, or 雲母 (kira) to add sparkle.. When used for the background in portraits, depending on the base color, it is called Shiro-kirazuri (white), Kuro-kirazuri (literally black, but dark gray practically), and Beni-kirazuri (red).
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Fan print with two bugaku dancers is an ukiyo-e woodblock print dating to sometime between the mid-1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the uchiwa-e (fan print) and aizuri-e (monochromatic blue print) genres.
Manga stories are typically printed in black-and-white—due to time constraints, artistic reasons (as coloring could lessen the impact of the artwork) [29] and to keep printing costs low [30] —although some full-color manga exist (e.g., Colorful). In Japan, manga are usually serialized in large manga magazines, often containing many stories ...
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The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.