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Tessenjutsu (Japanese: 鉄扇術, lit. 'iron fan technique') is the martial art of the Japanese war fan (tessen). It is based on the use of the solid iron fan or the folding iron fan, which usually had eight or ten wood or iron ribs. The use of the war fan in combat is mentioned in early Japanese legends.
Antique Japanese (samurai) Edo period gunsen war fan, made of iron, bamboo and lacquer depicting the sun (1800–1850) on display at the Asian Art Museum in San Francisco, California. The Japanese war fan, or tessen (Japanese: 鉄扇,てっせん, romanized: tessen, lit. '"iron fan"'), is a Japanese hand fan used as
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Uchiwa-e (団扇絵) are a genre of Japanese ukiyo-e woodblock print, which appear on rigid, paddle-shaped hand fans known as uchiwa (団扇).Ovoid images matching the outline of uchiwa were printed on rectangular sheets of washi rice paper, then cut along the margins and pasted onto a skeletal bamboo frame.
Chōjū-jinbutsu-giga is credited as being the oldest work of manga in Japan, and is a national treasure as well as many Japanese animators believe it is also the origin of Japanese animated movies. [ 8 ] [ 14 ] In Chōjū-jinbutsu-giga the animals were drawn with very expressive faces and also sometimes used "speed lines", a technique used in ...
He was originally a fan painter, but is also known for his work with kosode. [2] Miyazaki painted his most popular fan designs on kimono, and they were wildly popular. [3] He used rice paste to resist-dye the cloth in a method that he named yūzen-zome. [1] It later became known as simply yūzen. This technique made it easier for Miyazaki to ...
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Utamakura (歌枕, "poem pillow") is a classical Japanese rhetorical concept in which poetical epithets are associated with place names. Utamaro takes advantage of the makura ("pillow") portion to suggest intimate bedroom activity; the terms utamakura and makura-kotoba ("pillow word[s]") are used throughout the preface.