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Marxist literary criticism is a theory of literary criticism based on the historical materialism developed by philosopher and economist Karl Marx.Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social ...
The immediate post-war period produced little that was Marxist by these criteria, with perhaps the sole exception of Paul Mattick's essays which defended the orthodox theoretical Marxism, particularly on the issue of Marx's theory of crisis, against revisionists such as Paul Sweezy. Mattick's essay "Technology and the Mixed Economy" (1966) was ...
Leon Trotsky's Literature and Revolution claims that "old literature and 'culture' were the expressions of the nobleman and the bureaucrat" and that "the proletariat has also to create its own culture and its own art". [3] This viewpoint is common for the Marxist critical lens.
Marxist literary criticism is a loose term describing literary criticism based on socialist and dialectic theories. [153] Marxist criticism views literary works as reflections of the social institutions from which they originate. According to Marxists, even literature is a social institution with a specific ideological function based on the ...
Austin Harrington outlines in his book Art and Social Theory six ways in which art can be approached from a sociological standpoint: 1) humanistic historic approach, 2) Marxist social theory, 3) cultural studies, 4) theory of art in analytical philosophy, 5) anthropological studies of art, and 6) empirical studies of contemporary art institutions (Harrington, 15).
To the Finland Station: A Study in the Writing and Acting of History is a book by American literary critic Edmund Wilson, first published in 1940. The work presents the history of revolutionary thought and the birth of socialism , from the French Revolution through the collaboration of Karl Marx and Friedrich Engels to the arrival of Vladimir ...
A. S. Dmitriev concludes: "The Romantic era constituted the best decades of German literature. I wish without any doubt to conclude that German Romanticism, both in its theory and in poetry and prose, is one of the most brilliant phenomena of world literature." [12]