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The Hestia Tapestry from Byzantine Egypt around 500–550, is a largely intact wool piece with many figures around the enthroned goddess Hestia, who is named in Greek letters. It is 114 x 136.5 cm (44.9 x 53.7 inches) with a rounded top, and was presumably hung in a home, showing the persistence of Greco-Roman paganism at this late date.
Iyo-kasuri fabric, along with kurume-and bingo-kasuri, the three main varieties of kasuri in Japan. Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique.
Alice Kagawa Parrott (February 12, 1929 – September 11, 2009) was a Japanese American fiber artist and ceramicist.She spent most of her adult life in Santa Fe, New Mexico, where she established a reputation as one of the country's most important weavers, and opened one of Santa Fe's first shops devoted weaving and crafts.
Tapestry-weave fabrics such as tsuzure-ori were also popular, as was the use of weft brocade (nishiki). By the 19th century, family crests, or mon , were added on the lining side of the fukusa beginning in the late 18th century, and tassels were placed at each corner so that the fukusa could be picked up without touching the fabric.
An informal garment, like a tunic, worn by males of the Japanese nobility in the Heian period, as outerwear; originally made from cloth that had been stretched and dried using only water and no starch. [citation needed] In the present day, the suikan is worn by members of Japanese nobility for some formal ceremonies. Susoyoke
The first Japanese to adopt Western clothing were officers and men of some units of the shōgun's army and navy; sometime in the 1850s, these men adopted woolen uniforms worn by the English marines stationed at Yokohama. Wool was difficult to produce domestically, with the cloth having to be imported.
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