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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The Great Wave off Kanagawa is a landscape-format yoko-e print that was produced in an ōban size of 25 cm × 37 cm (9.8 in × 14.6 in). [ 18 ] [ 19 ] The landscape is composed of three elements: a stormy sea, three boats, and a mountain.
Utagawa Kuniyoshi's fierce depiction of Uesugi Kenshin, originally printed in the book Stories of 100 Heroes of High Renown between 1843 and 1844 . Musha-e (武者絵) is a type a Japanese art that was developed in the late 18th century.
Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), [1] [2] [3] are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen , menpō , hanbō or hanpō , and happuri .
In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [ 41 ] [ 42 ] Several other channels reprised the documentary. The 56th NHK taiga drama , Naotora: The Lady Warlord , was the first NHK drama where the female protagonist is the head of a samurai clan. [ 43 ]
The Hosokawa clan (細川氏, Hosokawa-shi) is a Japanese samurai kin group or clan. [1] The clan descends from the Seiwa Genji, a branch of the Minamoto clan, and ultimately from Emperor Seiwa, through the Ashikaga clan. [2] It produced many prominent officials in the Ashikaga shogunate's administration.
The Uesugi clan (上杉氏, Uesugi-shi, historically also Uyesugi) is a Japanese samurai clan which was at its peak one of the most powerful during the Muromachi and Sengoku periods (14th to 17th centuries). [1] At its height, the clan had three main branches: the Ōgigayatsu, Inukake, and Yamanouchi.
A typical Morris wallpaper in the 1870s required as much as four weeks to manufacture, using thirty different printing blocks and fifteen separate colours. [7] The wallpapers of Morris were regarded as strange and excessive for most wealthy Victorians, who preferred the more geometric and traditional French styles.